Danlode serial mankan part 15 سریال مانکن قسمت پانزدهم

Danlode serial mankan part 15 سریال مانکن قسمت پانزدهم

mankan part 15

mankan part 15
mankan episode 15

Mankan part 15 serial New situations don’t shake the characters. They have remained stable, and these are serious drawbacks of the series. Despite having the mafia of wealth and power, it definitely needs seriousness in its critical moments to convey our sense of fear. But if it leaves Mars.

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He even speaks in prison the same way he always does, not even a slap. The culmination of his torture is not drinking water, which is performed in a theatrical and entertaining manner without any particular fear of the hostage taking. It seems like the only difference is that his hands are closed and this is just a non-magical display situation for the author.

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So, in addition to depicting the fashion scene and all the serious issues surrounding it in the series, Bahram has even turned the discussion of kidnappings, chases and evasions into comic situations.

The scene where Mars escapes from the knife falls to the ground and his struggle for survival is good, but how he escapes and escapes really belongs to another genre.

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In the current serial genre, these things hurt our beliefs and even the character of the villain. Because it is him who makes the decisions.

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While Gila informs Bahrami’s friends that “they won’t hurt until they are worried for a couple of days, but they won’t lose a hair until then” We wonder why these days should take so long? Why not cut a hair off Mars?


Hostages are waiting for peer calls while Mars is off, and that is not reasonable. Their expectations are not reasonable at all. When the conditions seem reasonable, the reactions are also interesting. Elsewhere in the series, remember the infidelity that plays the role of the female driver and what good stress she has on her voice.

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He loses his hands and his feet in the face of a very serious attack, and this is an easy one to create. This short scene, which you may not even remember, shows that the villain can play in a good frame and cause fear and not be foolhardy. All this is necessary, but they are forgotten countless times in the series.

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Part of the interesting ideas in Part 13 is the arrival of Kaveh’s parents’ home. An interesting situation that encourages us to watch it. But what results? Does the character of mother, father, sister and peer show a new face in this good opportunity of fiction? Do we find the reactions or the subtleties of good behavior?

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Unfortunately, the serial writer still puts all his focus on something out-of-the-moment and in any way he wants to get to the mental scene that he finds interesting. Kaveh’s father opens up to something suspicious (oddly enough, sitting in the room with no hiding, and everything is prepared for Kaveh’s father to be suspicious), and this accident ends with a typical scene.Usually in terms of our sense of story and storytelling. Everything is at its minimum.

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Remember another interesting scene in these two episodes of the series. The moment Kaveh has to think of a way to prevent something worse from happening because of her quarrel with Katayun.

The result also reminds us of all the similar and similar situations in the series. Nothing is different or unpredictable. Everything goes smoothly, and Katayoun’s character, depicted in these parts as a thin armor, says exactly what we know.

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“We finally found out why Aker’s foot was open in his peer life and why he was not leaving.” You might as well simply say this to yourself after seeing these episodes. But the accuracy of the serial process tells us that these adventures have contradictory backgrounds. So it is clear that the author in the middle of the work suddenly incorporates these ideas into his work.

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The peer fell into solitude because he had been rejected by his uncles. In fact, he was rejected by everyone. On the other hand, the thieves did not seek to kill his grandmother, which is a coincidence.

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The only positive and different point is that Kaveh’s apology to Katayun is taking place in a newer place and is no longer in the office or at home. But Kaveh speaks with Katayun in the same tone of voice and humor as his peers. Kaveh, as I mentioned earlier, is written in a uniform way.

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Kaveh’s character has been overshadowed by Amir Hossein Arman sense of self-esteem, which comes back to the director, not the actor. So we officially dismiss Kaveh as a really attractive character. He’s not bad, but he doesn’t impress us. Although part of this theme is tasteful, believe me, its important part goes back to characterization and acting.

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