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Film Chaghi , Amir, who appears to be in good shape in his family and professional life, is in a safe position with his overweight. He has tried to lose weight for many times, but has failed in this goal every time. But now she’s faced with a bigger challenge – a forbidden love.
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He is immersed in this forbidden love slowly, and it affects his life in two different ways. On the other hand, it disrupts the rhythm of his life, separates him and his family, affecting even his work affairs and can no longer have the energy he had before.
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On the other hand, this has given rise to an incentive for him to overcome his disloyalty and to lose weight. That way with this love he is going to test his will.
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This relationship of love and Chaghi is sometimes forgotten between film times and sometimes in the form of awkward patches, so the director cannot maintain a uniform balance throughout the film.
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Because Amir is a voice-over voice, Chaghi plays a decisive role, and the sound band becomes so prominent that it makes it beyond the reach of the individual.
Film Irani Obesity | دانلود رایگان فیلم چاقی
It is this sound that binds Amir and Happiness. The details of the sound are clearly heard elsewhere in the film, and so the main character’s occupation has helped to identify his character and, consequently, the whole film.
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In the screenplay, Amir’s character is so prominent that none of him is paid for, and most of them remain as a replica. Even in the case of Ramin, who plays a central role in the relationship between Amir and Hadi, only basic information about his personal life is enough.
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The loneliness and poverty of happiness, to which little mention is made, can he unravel this forbidden love? Can his guilt be less than that of a man? Is this love really there or is it just a matter of biological environment and conditions? Emancipation of the middle-aged man from the day-to-day crisis and loneliness?
But what is most fascinating about Chaghi is the very similarity of Chaghi to television. Kwidel’s extensive experience in television and episodic work has made him a habitual director of a tail that, although trying to distance himself, has failed.
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We do not see any visual ambition in the film, and in most sequences, decoupage is the simplest form and there is no cinematic age and decoupage. Therefore, despite the standard games (not just good, as the characters of the past are repeated), the film does not appear to be acceptable, and this is a major drawback of the film.
In Chaghi, the reason for the Hass sequence being exacerbated by medical issues is unclear.
If that is the reason behind the covert protest against the country’s medical system, it has by no means been able to do the right thing, and has completely exited the film space, creating a noticeable heterogeneity between these sections and other parts of the film.
Amir simultaneously displays in one act, both will and intolerance. Having failed, or unwittingly, to achieve new love, she decides to end the relationship and tries to return to her former life.
But it still suffers. In the end, everything seems to be back to its original equilibrium, but many things have changed.
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His wife no longer has a passion for him, and his longtime friendship with Ramin (hamid farrokhnezhad) has been greatly tarnished. In other words, he has neither his wife nor his comrade.
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Overall, Chaghi has become an acceptable medium, with acceptable, but bumpy, along with somewhat irrational actions (such as female compulsion and excuse for no good reason).
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Alongside its threaded face, it has an acceptable payout. The five-year delay on screen has done little to keep it from getting lost in the traitorous films.
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Chaghi was an acceptable experience for Quiddell’s first work, but it had to be more ambitious in his choice of subject and in directing his work.
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Overall, obesity has become an acceptable medium, with acceptable, but bumpy, along with somewhat irrational actions (such as female compulsion and excuse for no good reason). Alongside its threaded face, it has an acceptable payout.
|Role Film||Actor Movie|
|Zhane Amir||Ladan Mostofi|
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The five-year delay on screen has done little to keep it from getting lost in the traitorous films. Obesity was an acceptable experience for Quiddell’s first work, but it had to be more ambitious in his choice of subject and in directing his work.