Download serial Del part 7 سریال دل قسمت هفتم

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Download serial Del part 7 سریال دل قسمت هفتم

Download serial del part 7

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Del part 7 serial Incredibly, there is complete indifference here. With the exception of the single scene that shows Rosta returning home, there is no escalator. In fact, so far, the series has taken some time to answer its central question. Many people walk and sit and repeat similar behaviors. There is also a large boardroom and a large hall that has no headroom and you can count the duration of these trips. Crumbs do not attract us because of poor, everyday dialogues.

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Del part 6 When people clash with themselves and others in the absence of the restaurant, they don't have much to worry about. The worst scene we've come to expect from more serious challenges and struggles is the two rivals' two-lover rivals.

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Bad dialogue and rivalry in such situations makes the serial whole lifeless. Because times don't have the same energy and value, and when the kings of a triangle love story clash, this is the serial failure.

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The scene of Arash's conversation with Mehran in the not too distant past is just like the scene of their conversation in the present.
It's like the same dialogues and behaviors. Arash has not the slightest reaction, even though one of the serious defendants is Mehran.
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His overly polite courtesy of Mehndi's Lundy, who continues to blossom in love, does not give Arash the slightest eyebrow.
I'm not saying that being polite is a bad thing, I'm just saying that uniformity should not be so exaggerated.
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The only dialogue that can make a difference is the repetition of Arash (hamed behdad) previous dialogue with Mehran at the present time. “If you don't choose the brew, then look at me now, or you” I wish the middle of the nose (Mehran) could have been a real madman and nothing more than an annoying fly.
A crazy bit that can be adaptable and not look so crude.

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No matter how badly Mehran's ill-fated love for Rajasthan has paid off, Rajasthan's love for Arash has not been so profound and believable. While Arash's love is more acceptable than Rosta's, we owe Arash and Ava the same amount.

The two duels in the car are one of the best duels in the whole series. Arash was better able to express himself in opposition to or accompanying his sister than in conversation with Rosta.

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In the fourth part of the passage we find that we are now in trouble with the village. However, we do not feel close to the village.
This is a major disadvantage for the series, with one of its main characters being far from popular. So Arash's sense of triviality also makes us feel insignificant and we feel it is not worth it.

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It seems as if Dell's serial makers are launching a new initiative to present their work more time. After “What Happened”, which is the constant footsteps of all the serials, a single scene from the foreground will be presented to the audience so that they may know for a few minutes what the story is likely to be in the same episode. It spreads more fully and reaches audiences. After this single-page title will be played.

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This single scene in the second part is about Ava becoming unconscious in the courtyard. In the third part of the scene, Rosta is sitting on the bed and standing beside the door.
In the fourth part, an image of Resta's finger on the doorbell of his house.

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The problem is that the initiative is packaged like a lion, a mixture of palm oil and water. When “Again” and “Same Time”, “Same Scene” “Completely” repeated at the beginning of the next episode (each scene three times) we notice the amount of water used in the series. That is, three times Ava falls unconscious three times.

At the beginning of the second part, the dialogues between Rasta and Mehran, which at times seemed extremely bad and ridiculous, were repeated. A few more times through what has been flashbacks and flashbacks to make things even more salty.

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Serial bystanders aren't bad at all. From the father of Turan to the couple who give their gift and without a wedding dinner.

In the meantime, the playing of most of the actors, depending on the situations in which they are located (not varied in these situations), is almost average and quite ordinary.

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Said Rad, as the father of Rosta, is no different and, of course, extremely optimistic. That “the restaurant has a reason for every decision it makes” seems a lot.

For if there was a rational reason to do so right on the day of the wedding, there is no justification. So the characterization of Rasta's father (who has never had a personal world yet and has a thin skin) seems largely untenable.

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Rosta's mother, actually her stepmother, is still a kind woman with no complexity or difference. Although her 100% agreement with her husband's comments is part of her characterization, we are still seeking some challenge in this sensitive situation of their daughter's disappearance.

A mother does not behave much like a father, but it ends here as a “how much you care” dialogue between the two.

Hamed Behdad and then Yasser Nasser have certainly looked better in the middle of these games. It is obvious that most of them are present in these episodes, but some of the playful details we have about Hamad by default have affected the relative attractiveness of Arash's character.

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