Download serial Paytakht 6 part 6 پایتخت فصل ششم قسمت ششم

Download serial Paytakht 6 part 6 پایتخت فصل ششم قسمت ششم

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Paytakht 6 part 6

Paytakht 6 part 6 Like “One and Two”, Alireza Khamseh, Mohsen Tanabandeh, Ahmad Mehranfar, Rima Raminfar, Sara and Nika Abadani Asl, Mehran Ahmadi, Nasrin Nosrati are the main actors, and Hooman Haji Abdollahi and a number of theatrical actors are among the other actors. These are Nowruz series.
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Here is a summary of the third series of “The Paytakht 6 part 6”: On the wedding night of Aristotle, an accident occurs that causes a rumble that a few months ago…

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In the first part of the series we see that Aristotle’s wedding ceremony is taking place, but he accidentally causes the wedding to break up and distract him.

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Like “One and Two”, Alireza Khamseh, Mohsen Tanabandeh, Ahmad Mehranfar, Rima Raminfar, Sara and Nika Abadani Asl, Mehran Ahmadi, Nasrin Nosrati are the main actors, and Hooman Haji Abdollahi and a number of theatrical actors are among the other actors. These are Nowruz series.

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The summary of the third series of “The Paytakht 6 part 6” states: At Aristotle’s wedding night, an accident occurs that causes Nagi, who has been unemployed for several months, to become distressed and depressed.

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He encourages the family to engage in wrestling as a youngster and embark on pioneering wrestling, but an adventure ensues during the wrestling that brings Nagy and his family into more recent adventures.

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Mohsen Tanabandeh, Ahmad Mehranfar, Rima Raminfar, Sara and Nika Abadi Asl and Alireza Khamse are the main cast of this series.

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Artists such as Mehran Ahmadi, Nasrin Nosrati, Hooman Haji Abdollahi and a number of theater actors have also appeared as guest stars.

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Cyrus Moghaddam’s “The Paytakht 6 part 6 ” series, which has long been able to bring people whose watches were jam-packed with Turkish TV serials to Iranian television and break the previous equation, has come under criticism.

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People in Cui and Burnet, in every gathering after three full episodes of this series and of course, two episodes of its new series, repeat the characters in this series and talk about what happened last night at work.

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Baba Panjali with Alireza Khamse, Aristotle with Ahmed Mehranfar and Naqi Ghazali with Mohsen Tonabandeh are the most popular figures in all four episodes of the series. However, some critics have found the series to be satirical and humorous.

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Cinema critic Reza Dastakar said yesterday in a news release online criticizing all the serials, specifically about the series “Paytakht 6 part 6“: “After the start of Ramadan, I managed to watch some episodes of some series, including” Paytakht 6 part 6 “.

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Which includes exactly the above, meaning I don’t have the same “Paytakht 6 part 6” story and drama, and the creators have tried to keep the series just by sneaking characters or repeating certain phrases. The ideas are funny and spectacular.

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  Crushes the viewer’s nerves from somewhere! For example, in the first part, half an hour, and for no dramatic reason, a choked-out space is chosen as the main location for the characters here and there! It means idiocy, it is futility!

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There is no drama and story, just drag and drop. So it can’t be said that it is comedic situations that make the work funny, but insist on some kind of dialect and accents to go into the kind of ridicule that keeps the scene going! ”

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His criticism, of course, did not end there. In another part of his remarks, he recalled a point that is also true of “The Paytakht 6 part 5”: “Another thing about Iranian soap operas is their busyness and their busyness.

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nditions, they must speak of the technical and artistic aspects of these collections. ” While some people’s comments come under criticism of Reza honest, he is often opposed. Most audiences have defended the Paytakht 6 part 5 and other appropriate serials, and some have viewed the Paytakht 6 part 5 as a mockery.

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I don’t know what insist on picking up hybrid and multiplayer rates that only cause confusion and dizziness in the audience. These are, in my opinion, an insistence and an exaggeration in areas that we have no valid reason to prove. Sometimes we can’t afford a double standard and then two or three people talk in front of the camera.

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These are called exaggerations, not ability to execute. I have heard some say that this series has been well received by people. Now, when we do not have a clear statistical society and no clear mechanism, how can we claim this based on what we do not have?

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Even so, even the assumed welcome of the people is not a reason to ignore the weaknesses and the critic must do his job. The critics’ work is to evaluate and analyze the overall structure of these works .

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But how does a serial that people often find attract the critics? Dr. Seyyed Majid Hosseinzad, professor of sociology of cinema at Tehran University’s School of Social Sciences, answers this question: “Part of this gap is between the view of critics and the people because of the type of criticism specialized.

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