Download serial Paytakht 6 part 8 پایتخت فصل ششم قسمت هشتم
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Paytakht 6 part 8, in fact, Majid’s stories were similar. There, too, with the indigenous elements of Isfahan, the interpersonal relationships of people in different classes of society, the use of dialect sought to represent a world that could previously be called the Iranian world.
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تماشای آنلاین سریال پایتخت 6 قسمت 8
قسمت 9 پایتخت 6 شنبه 9 فروردین منتشر می شود / The Paytakht 6 part 9 will be released March 28
In Majid’s stories, we also face many difficulties. But the world of fiction and the nature of the people around it sought to solve the problems, not create them. In Majid’s tales, every human being was an opportunity for Majid to grow and understand his understanding of life.
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There, too, the director achieved a credible simplicity that, ironically, largely derived from the stories of Mr. Houshang Moradi Kermani, made Majid’s tales, both in narrative and form, a habit of To apply cinematic techniques.
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Of course, in terms of the characters and characters of the story, we can see traces of “meaningful reminder” in the Paytakht 6 part 8.
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“Ordinary”: Facing ordinary people in this community who harness the power of being a hero while being “ordinary”, attractive, warm, demanding, and “learned”.
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Homay saadat (Rima Raminfar), which emphasizes the centrality of mother and woman, emphasizes the unique element of being in delivering the bird of happiness onto the roof of the house and reminds the unparalleled role and position of the wife, mother, and woman in the ecosystem of Iranian-Islamic ethnic identity. he does.
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.It goes without saying that while escaping the slogans and hints of propaganda, the Paytakht 6 part 8 has, by the way, achieved some basic but important ethical considerations, such as family respect and father’s privacy and family tradition and social companionship.
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However, it is a great achievement to prioritize the “family” as the centerpiece of the story. Indigenous music and Ali Abad insideThis subtle, tasteful, non-flowering symbolism can be found even in the titles of “Aristotle”, “Mercy”, and so on
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The recreation of northern Iranian folk music in association with streams of Khorasan music and other geographical areas of Iran is a creative move that Aria Azimi Nejad may have performed for the first time in the art of making a soundtrack for a television series.
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The music in this series becomes a character that contributes to the sense of ‘Ali Abad’ recreation of the characters within. The same Ali Abadi who is a city for himself. However, the time has come to end the critique of traditional and local music that was once popular among some musicians.
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Of course, this criticism was not about the content of Iranian official and instrumental music, but how it was dealt with. Iranian music content can be reproduced in a suitable composition and orchestra.
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This music is capable of expressing different emotions and recreating different spaces. The power of this music is reminiscent of the power of native culture for storytelling. The same culture that the Paytakht 6 part 8 series uses its materials and resources to make its stories more colorful.
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On the other hand, the Paytakht 6 part 8 is a sign of the growth of the serial industry and the increase in technical skills among filmmakers. It is hoped that television, in its other works, will also pay attention to this growth
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Aren’t you tired? We are tired of criticizing it since the day the fifth season of the Paytakht 6 part 8 began. However, among these criticisms, there is little to be found in the logic of proper criticism and treatment.
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Most of the criticism seems to be a kind of extremist excuse simply because one of the cultural institutions affiliated with the Islamic Revolutionary Guard Corps has invested in its production. Obviously, this is just enough reason for this wave of criticism to take place.
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an approach that does not follow any logic except that various political factions, without any artistic consideration, target this popular collection with baseless attacks. Have put.
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Climate and boom play a key role in this series. The people of this series are so rooted in Ali Abad that they summon Ali Abad to themselves wherever they are in the world. For them, Ali is not a piece of land, but a way of life, a culture that originates in the soil but sprouts in the lives of humans.
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Mazandarani dialect in the Paytakht 6 part 8 is not only an ornament, but also affects the mentality of these people. For example how to describe these people from the situations they are in.
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In any case, the Paytakht 6 part 8 was able to penetrate to some extent into the dialects, speech and even language of these people. We can see the world through these people. Internal relationships of people, social relations, business as well as growth and change of people, positive worldview are also other features of this work that brings it closer to the concept of martyr Avini national cinema